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He is the author of Warped Space: Art, Architecture, and Anxiety in Modern Culture (2000), and The Architectural Uncanny: Essays in the Modern Unhomely (1992), both published by The MIT Press, and other books. The era of Starchitecture is drawing to a close as a new generation of designers recognize that they need to address urgent environmental, technological and social justice issues that have spatial consequences.In this essay I will attempt a synthetic overview that explores the affinities and differences between them.
Diderot's Encylopédie entry on architecture followed his entry on Noah's Ark; architecture could only find its way after the Flood.
In these thirteen essays, written over a span of forty years, Damisch takes on other histories and theories of architecture to trace a unique trajectory of architectural structure and thought.
MIT Press Journals Hubert Damisch is one of the very few philosophers who have taken the field of architecture seriously.
This book will be the first time English-speaking readers will have the privilege of reading his provocative takes on a range of issues from geometry and perspective, to Le Corbusier and Diller and Scofidio.
Why did my education leave me unequipped to expand my materials palette to include living materials – trees and vegetation – as space-defining elements?
Why was I trained to conceive of the building envelope as the limit where architecture ends rather than as a porous membrane that facilitates the transition between interiors and landscape, both precincts understood as intercommunicating designed spaces that foster social interaction?
These forays into history and theory came from my own experiences as a designer wanting at different times in my career to bridge three fields – architecture, interiors, and landscape – that have been professionally segregated since the late nineteenth century.
Why was I never taught to think about how the layout of furniture and the choice of fabrics and upholstery influenced the way people occupy and interact with each other in a room?
Over the course of a long and distinguished career, he has held posts at Cornell University, Columbia University, and the Center for Advanced Studies in the Visual Arts, Washington.
He is the author of The Origin of Perspective, The Judgment of Paris, Skyline: The Narcissistic City, and A Theory of Cloud: Toward a History of Painting.