Creeley Collected Essays

Creeley Collected Essays-42
In his later years, when he became well-known, he would go to lengths to make strangers, who approached him as a well-known author, feel comfortable.In his last years, he used the Internet to keep in touch with many younger poets and friends.He went to great lengths to be supportive to many people regardless of any poetic affiliation.

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Creeley wrote about half of his published prose while living on the island, including a short-story collection, The Gold Diggers, and a novel, The Island.

He said that Martin and Janet Seymour-Smith are represented by Artie and Marge in the novel.

Robert Creeley died in the morning of March 30, 2005, in Odessa, Texas of complications from pneumonia. In 2016, a short documentary was made about Robert Creeley's son, Will Creeley, in which Will shared stories of his father's legacy and their relationship. Creeley has long been aware that he is part of a definable tradition in the American poetry of this century, so long as 'tradition' is thought of in general terms and so long as it recognizes crucial distinctions among its members.

The tradition most visible to the general public has been the Eliot-Stevens tradition supported by the intellectual probings of the New Critics in the 1940s and early 1950s.

He returned to Harvard in 1946, but eventually earned his BA from Black Mountain College in 1955, teaching some courses there as well.

After teaching in Albuquerque, New Mexico, Creeley visited San Francisco for two months in the spring of 1956, having heard from Kenneth Rexroth about a local poetic "renaissance" underway.They went there at the encouragement of their friends, British writer Martin Seymour-Smith and his wife, Janet.There they started Divers Press and published works by Paul Blackburn, Robert Duncan, Charles Olson, and others.was an American poet and author of more than sixty books.He is usually associated with the Black Mountain poets, though his verse aesthetic diverged from that school's.In 1957, he met Bobbie Louise Hawkins; they lived together, common law marriage, until 1975, having two children, Sarah and Katherine. Creeley read at the 1963 Vancouver Poetry Festival and at the 1965 Berkeley Poetry Conference.Afterward, he wandered about a bit before settling into the English faculty of "Black Mountain II" at the University at Buffalo in 1967.He was close with Charles Olson, Robert Duncan, Allen Ginsberg, John Wieners and Ed Dorn. Capen Professor of Poetry and the Humanities at State University of New York at Buffalo.In 1991, he joined colleagues Susan Howe, Charles Bernstein, Raymond Federman, Robert Bertholf, and Dennis Tedlock in founding the Poetics Program at Buffalo.It was hard for many readers and critics to immediately understand Creeley's reputation as an innovative poet, for his innovations were often very subtle; even harder for some to imagine that his work lived up to the Black Mountain tenet—which he articulated to Charles Olson in their correspondence, and which Olson popularized in his essay "Projective Verse,"—that "form is never more than an extension of content," for his poems were often written in couplet, triplet, and quatrain stanzas that break into and out of rhyme as happenstance appears to dictate.An example is "The Hero," from Collected Poems, also published in 1982 and covering the span of years from 1945 to 1975.

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