Dissertations On Musical Theatre

Working with the student theatre group from Manchester Metropolitan University, this is a study that comprises both written and production elements.

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Noting the plans of the Royal Opera house to encourage younger audience members by suggesting that they should ‘attend the opera in jeans’, this dissertation queries whether such gimmickry is appropriate within the visual arts.

Arguing, that it is the quality and contents of the productions that should be used to encourage greater audience numbers, this dissertation questions the appropriateness of the marketing direction under taken by the Royal Opera House.

This dissertation seeks to analyse the dominant (and changing) trends in theatrical productions (and other shows commissioned within theatres) over a 30 year period.

Using past programmes as well as contemporary critics reports of the shows, it seeks to demonstrate the cyclical nature of productions as well as commenting on those that have not ‘stood the test of time’.

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