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Wakatsuki reproaches a squeamish but dutiful FBI man.The Wakatsuki family house, in opening scenes before the incarceration, was in Tiburon.
The cast and extras spent a day filming the riot scene at Santa Anita Jail in Alameda County.
(Kinoshita, who was a small-plane pilot, flew Yap down to Livermore for the day from Klamath Falls.) Some scenes from the Justice Department detention of the central family’s father, Ko Wakatsuki, are probably at Santa Rita Jail in Alameda County, which was also used as a set for the Manzanar riot scene.
Other locations were in the San Francisco Bay Area.
San Francisco’s Presidio was used for the pivotal interrogation scene where Mr.
Yap, then in his mid-twenties and engaged to be married, said he had to fend off endless offers of weekend dinners and introductions to local women: “Any female from eight to 80 years old, with or without teeth, [was] trying to figure out a ticket out of that valley.” Newell’s most helpful resource for the film was the former military police barracks compound.
Isolated from other housing, the MP complex had changed its appearance relatively little since the camp’s closure in 1946.
Many interviews have focused on artistic and personal aspects of re-enacting the Manzanar incarceration experience.
The fact that filming took place mainly at the Tule Lake site added an extra layer of resonance.
Under Robert Kinoshita’s guidance, the Flying Goose became Manzanar.
It was a matter of returning authentic original MP barracks to something like their original appearance—for example, by tacking on fresh tarpaper—and building guard towers that matched Kinoshita’s memories.