At the end of the play, when Abigail realizes that her plan has failed and that she has condemned Proctor to hang, she displays the same cold indifference that governs her actions throughout the play.
She flees Salem, leaving Proctor without so much as a second glance.
Abigail uses her authority to create an atmosphere of fear and intimidation.
She threatens the other girls with violence if they refuse to go along with her plans, and she does not hesitate to accuse them of witchcraft if their loyalty proves untrue. Abigail develops a detailed plan to acquire Proctor and will stop at nothing to see her plan succeed.
This desperate act of self-preservation soon becomes Abigail's avenue of power. Abigail represents the repressed desires — sexual and material — that all of the Puritans possess.
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The difference is that Abigail does not suppress her desires.
She finds herself attracted to Proctor while working in the Proctor home. Abigail's willingness to discard Puritan social restrictions sets her apart from the other characters, and also leads to her downfall.
According to the Puritanical mindset, Abigail's attraction to Proctor constitutes a sin, but one that she could repent of and refuse to acknowledge. Abigail is independent, believing that nothing is impossible or beyond her grasp.
Her decision to wait until the court sees her as irrefutable before she accuses Elizabeth reveals her determination and obsession with Proctor.
Abigail thinks nothing of the fact that she condemns innocent people to die; those people merely serve as necessary instruments for her use in the fulfillment of her plan.